Showing posts with label rube goldberg. Show all posts
Showing posts with label rube goldberg. Show all posts

Monday, January 7, 2013

Sartorial.



One of the things I enjoy about reading magazines I don’t often read is that the writing tends to seem new and interesting. And also, sometimes, annoying.

While I was reading that Vogue on the plane I came across the word “sartorial” which means “of or relating to a tailor or his craft.” I only know that because Barney explained it once on “How I Met Your Mother” and it stuck to the sticky part of my brain.

So I came across this word – all high faluten and fancy pants – on page 22 while charting the “sartorial evolution” of the actress Allison Williams who is on “Girls” and is – turns out – also the daughter of Brian Williams.

I shrugged a little. It is a fashion magazine after all and so the word is in their wheelhouse, so why not rock it? I drop the word “semiotic” whenever the fuck I can because I have a very expensive English degree. So live and let live.

BUT THEN! There was the word again! Right there on page 59 introducing a spread on the best dressed actresses of 2012 and describing “Kristen Stewart’s disregard for sartorial convention” and so now I know that I am being punked, in what is surely the world’s weirdest and most specific punk ever. Firstly, Kristen Steward does not has a disregard for sartorial convention, she just dresses poorly and makes odd choices (for instance, the choice to become an actress even though she lacks the ability to emote with her face.) And secondly, I have no problem with somebody dropping a nice ten dollar word occasionally, but twice and so close together? That’s a bit much and it makes me think that the writes over there all had a slumber party and watched “How I Met Your Mother “ on DVD and all listened to Barney say the word and all of them simultaneously and joyously jotted it down in their pink dream journals. But whatever. No big deal. Nobody cares but me anyway. So I read on.

AND THEN! SIX PAGES LATER! THERE IT WAS AGAIN! On page 65 describing Emma Stone’s “sartorial powers” and keep in mind that this was a photo spread, so the only text on the intervening six pages was in caption form. Well this just did not make me happy at all. I quickly composed a letter of complaint in my head:   

Dear The Sartorial Writing Staff at Vogue Magazine,

Sartorial.

Sartorially,
The Editors at Standardkink

And I would have sent it too, except I was on a plane and also I am too lazy to ever actually send any of my letters of complaint, of which I have drafted very, very many.

I suppose it could be worse. I suppose that the word could just never be used and it could be allowed so slowly wither and die like so many good words (“civility” is a good word that has died this way, both as a word and as a value too). However, something about the way it was used THREE TIMES so quickly in a magazine that should know lots and lots of fashion-related words, just made its use seem somehow cheap. To me at least, and I have obviously spent a lot of time ruminating on this.

Fear not though. I also read a copy of The New Yorker on that flight and, say what you will about the puffed up elitists over there at The New Yorker, they know how to use words. And they use them dizzying well. They can build sentences like Rube Goldberg machine. On page 44 of the December 24 & 31, 2012 issue, while describing damaged art that is not worth repairing, they wrote:

Such works – those for which the cost of conservation and the subsequent loss in market value are greater than the amount for which the works are insured – will enter into a strange netherworld.

That ladies and gentlemen, is a motherfucking sentence.

I’m not saying it is the best one ever, but it certainly is bold and almost taunting. (The best sentence, some say, is from the Bible and it is this: Jesus wept. One of my favorite sentences is from a book called “My Cousin, My Gastroenterologist” by Mark Leyner, but I will tell you about that some other time.)

However, later in that same issue - and kind of sorta lamely - on page 132 in a review of the movie “This is 40” a writer is talking about the bourgeois family in the movie saying, “Here is all the plentitude and warmth and the triviality and sadness of Los Angeles life.” Although, what would one expect from a magazine that considers itself the reliable and worthy maker of taste for New York City. To prove that NYC can’t help itself from LA-basing, the review – which is a review of a sweet and completely harmless comedy mind you – also waxes rhapsodic by bemoaning, “In Los Angeles, time has a particular poignancy, since the body can never be young enough to satisfy an unsustainable ideal.” You know, that is probably even true, but I have spent a lot of time in New York and I have seen some pretty bad plastic surgery there too. Just saying.

Now that I have written this admittedly complainy and pretentious blog post, I will try to redeem my humanity in your eyes by posting the below pictures of Emma Stone (because it is tangentially related and because EVERYONE has a crush on Emma Stone) and a heart meltingly cute kitten.





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Wednesday, August 10, 2011

Can’t Keep it in Anymore …




I know that this is going to put me in the minority, but I just have to get it out; over the weekend I tried watching the Lord of the Rings movies again because they were on TV, and I really just can’t get into them I’m sorry, I just don’t like them. They’re really long and kinda dumb and if it wasn’t for how creepy the weird little Gollum thing is, they’re virtually unwatchable, in my opinion. And I’m not even trying to be a contrarian in this particular instance. The whole good/bad thing is so lamely simplified that it’s like the film makers think I’m a 12-year-old boy (at least Darth Vader was interesting). Every death-defying thing that the dumb little Hobbits have to escape from is so contrived that it feels like Middle Earth is just a giant Rube Goldberg of death*. Add to that the fact that the filmmakers are just so god damn in love with themselves that every single scene has twice as many shots in it as it needs to. Seriously, watch one of those scenes when Frodo is falling or something and Sam catches him just in the nick of time, invariably they are in slow motion and each time it takes like five minutes of close ups of their anguished faces to fully illustrate something that happened in two seconds?

Don’t even get me started on the “acting”. Yes Ian McKlellen, you’re a bad ass, I respect you, but you were totally phoning that in. The subtext in every single scene was, “Do you like my hair? I’m a wizard. I know, right? But they’re paying me a lot of money.” And is anyone really able to look at Orlando Bloom and not snicker a little bit at how simply stupid he looks? I mean, come on! It’s like an albino at a renaissance fair!

Anyway, like I said, I know you all disagree, but I just couldn’t keep it in any longer. I feel better now though.

I am currently involved in a class action law suit with Peter Jackson. I’m trying to get ten hours of my life back.


* A Rube Goldberg of Death (actually a pencil sharpener)


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Monday, September 20, 2010

The Emotional Rube Goldberg.



Recently I discovered that when I have a crap day (which I did today), I can make myself feel a little better by going to the library and wandering through the books and checking out some of the more interesting ones that I find (how do you like the length of THAT sentence, BTW?).

There are, I think, two reasons why this works. The first is that I really am interested in everything. I can find anything interesting. This is a 100% true fact about me, your humble blog host.

The second thing is better. One of my favorite movies is called “Zero Effect” and it is about the world’s greatest private detective (played by the always underappreciated Bill Pullman). At one point he is talking about how to look for something and he says something along the lines of, “When you go looking for one thing, it is very hard to find, because of all of the things in the world. But when you go looking for anything at all, it is very easy to find, because of all the things in the world.” This is how I feel when I go into the library with nothing on my mind except for getting everything off of my mind.

The last time I ended up with an illustrated “Gravity’s Rainbow”, a coffee table book of 1920s and 30s crime scene photography, a fun little novel by Chip Kidd called “The Cheese Monkeys”, a book of Polaroid photography and a PJ Harvey CD.

This time I scored even better because I ended up with “Making Pictures: A Century of European Cinematography”, a nonfiction called “Flower Confidential” by Amy Stewart which appears to be about the international flower industry, something called “”Everything that Rises: A Book of Convergences” by one Lawrence Weschler which is about … well, I don’t really know yet but it has a lot of pretty picture in it. There’s also “The End is Near!” which seems to be a collection of really bad art about the end of the world, Michael Chabon’s book “Maps and Legends” which I think is a collection of travel essay or something (it has a beautiful jacket but because it is from the library the jacket is taped on in such a way that one can’t actually read what it says), a novel called “The Anarchist” by John Smolens, it seems to be the fictionalization of the assassination of President William McKinley by Leon Czolgosz (who, of course, you and I both remember from the world’s most bad-ass, it-is-okay-to-love-it-even-if-you’re-a-man-and-a-lumberjack musical “Assasins”). The last book is called “Rube Goldberg vs. The Machine Age”. It is a musky old coffee table book collection of Rube Goldberg comics. To know Mister Goldberg’s work is to love him and if you don’t know him, you should google him right now. He is known for drawings of incredibly elaborate contraptions that accomplish very mundane tasks. If you ever played the board game Mousetrap when you were a kid, then you have built a Rube Goldberg-esque device. Or if you ever saw the movie “Blown Away” with Tommy Lee Jones and Jeff Bridges, then you know that the bomb that blows up the ship is a deadly Rube Goldberg.

The point of all this is that I found a little gem of a phrase when I read the flap of the Goldberg book (hey, what do you think a book would look like if we let him make it?) and that little sparkling gem was one of the only things that made me smile today. The flap references “a dictionary” and says that a Rube Goldberg is defined as, “(1) a fantastically complicated, improvised appearance; (2) deviously complex and impractical.”

How perfect a definition is that for any of our lives? Or maybe just mine?

I love very much “deviously complex AND impractical”. It says so much yet uses so much economy! (“so much economy” is probably an oxymoron, right?).

So I suppose you can expect to see the song “Deviously Complex and Impractical” on my band's next album. It will be a song with a bass line that is hard to love, but a hook that makes you dream it.

And seriously, go google “Rube Goldberg” right now, he is delightful.


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