Thursday, August 8, 2013

Infestations.

Infestations
by james bezerra


Sam took the dark little apartment because he needed someplace else to live. Their house had grown too quiet without her; without her soft footfalls on the bright wood floor of the hallway, without her singing small songs to herself while she cooked in the kitchen. Without the soft, clean lilac smell of her in every room. The first few weeks alone that smell had haunted him in the silent place, in the silent kitchen and the silent halls. He would catch a faint whiff of it and quickly peek his head into the next room, hoping that - however impossible - she would be standing there, folding towels in the den maybe. She never was. And each and every time it hurt him. Each time she wasn’t there his body trembled a little with the force of the totality of her being gone.

So Sam took the dark little apartment because he needed someplace else to live. It was all he could afford because he couldn’t bring himself to sell their house. He didn’t move in. The apartment had a little couch in it that someone else had abandoned. The couch had a throw pillow and that was where he slept.

He was asleep when he first heard the noises. The sharp but quiet ticking of nails on countertops. He was asleep and so when the sound flowed into his dream it was her nails on their front door and he opened the door and there she was. And it was the only moment of happy that he has had in weeks. BUt the sounds got louder and louder until they woke him and he sat up in the dark. “What?” He said into the darkness. The sounds scurried away and when he got up and flipped on the yellow kitchen light, there was nothing there but emptiness; even his food was gone.

“I think my apartment has rats,” Sam told the Super the next day.
“Oh it certainly does,” the Super replied, “the whole building is lousy with them. You’ll be fine though, you get used to it. Just don’t piss’em off.”
Sam went to the store to buy himself some food. He also bought some rat poison. He went home and ate and spread a little of the poison out in the kitchen. He went to sleep.

He didn’t hear the scraping of their claws that night, he was sleeping too deeply. What did wake him though was the screeching. It was sudden and loud and awful and seemingly inconsolable. It was a noise not of terror, but of endless, bottomless despair. It was the funeral wail of some unknown world, but it was also unmistakable.

Sam flipped on the sallow kitchen light. There was no scattering though. Not a single one of them moves. There were dozens of them there in the kitchen, arrayed in a dirty furry circle around a plump gray rat who lay on her side. Sam thought that he saw her little chest rise one last time, fall one last time, and then go still.

He knew without even having to think. This was the mother. The wife. The center of the world. And she was gone now.

Slowly all of the heads turned toward him. All of the eyes quivered at him. All of the mouths hung open toward him. It wasn’t anger that shown on all of those countless grizzled faces; it was complete and utter incomprehension. It was disbelief. It was the face that anyone would make if one day the world outside was just gone. It was the expression that Sam had been wearing for weeks.  

He rushed away. Out the door and down the hall and out into the street and the into the piss yellow halo of the streetlights.

Sam walked the streets and for a long time didn’t think at all. All he did was walk. All he tried to do was walk. All he wanted was to not hear that sound anymore. Not to see those awful little faces; not awful because of their matted fur, not awful because of their jagged little teeth. Awful because of how completely and simply lost they were.

It wasn’t until later, crosses a footbridge over the freeway and looking down at the acid yellow of the headlights streaking below him, that he began to think. He began to think about their empty house. He began to think about how broken the place made him feel. He began to think about how he didn’t want to be feel broken anymore. He began to get angry that he had to still feel broken. He got angry that broken was all he was able to feel anymore. He got angry at her for being gone. He got angry at himself for ever loving her. He got angry at the fucking worthless Super, he got angry at the goddamn coven of rats living in his apartment. It is my fucking apartment. He got angry at them for looking at him the way they did. He got angry at them for thinking that he owed them anything. He got angry at them for acting like he owed them an answer. Sometimes there is no fucking answer.

Sam was still angry when he went to the store. He bought food, lots of rat traps. He was still angry carrying the flimsy plastic bags home. He was still angry when he stood in the kitchen and looked down at the empty spot where the dead rat had been. He was still angry when he set out all of the traps, leaving wet clumps of ground meat on each of them. He was still angry when he shut off all of the lights and locked himself in the little bathroom. He huddled in the bottom of his bathtub. He had bought himself a little sandwich. He peeled the plastic off of it and started to eat it. He took big gnawing bites.

But then he started to hear the noises. All of the noises. It started with the barely audible sniffing. Then the scurrying, the sharp claws on dirty linoleum. Their little noises grew huge - how many of them are there?  - and louder and closer. Through the bathroom door it sounded to him like endless wave upon wave crashing in from the kitchen.

But then suddenly he heard the first fast loud wet thwack-ing of a trap snapping closed. And then another. Another. The sound of small bones cracking. Like explosion after explosion. The snap-snap-snap was loud and fast and continuous like firecrackers.

He cuddled his knees there in the bottom of the tub until it stopped.

All he was left with now were the small noises. The weak shrieks. The quiet gurgling. But then finally there was only silence beyond the door.
He looked down at his half eaten sandwich and just seeing the gnawed bread and the wilted lettuce and the thin wet meat made him almost sick. He had to close his eyes and breathe deep through his nose. When he finally stood up, he was slow to open the bathroom door. He peered out down the dark hall. It was empty. He moved down to the kitchen. The air was saturated and wet. In the darkness he reached to the light switch, but as he stepped toward it his foot came down on something round and uneven that crunched under his weight. He reeled backward in the dark and stepped on something else, flat and thick. In an instant it snapped closed on his foot. Sam yelped with a spasm of pain and turned and stepped on something else, it crunched like a tiny dead rib cage. It was wet and he slipped and he fell backward onto the floor. He could feel all of the small bodies below him. He screamed. He shrieked and slipped as he tried to get to his feet.

He tumbles out of the kitchen. He never made it to light switch, but he made it to the door and jerked it open and then he was gone out into the night. He ran at first. He ran away from the tiny bodies, from the blood, from the horror. He ran away from everything. He ran until there was nothing left in him anymore but the acid in his body he ran until the sun started to come up and he finally made it back to their house. His hands were shaking as he unlocked the door. He barely made it inside. He laid down there on the wood of the hallway. He gasped for breath and rolled onto his back and looked at the white ceiling as it began to glow with the light of the early morning.

Sam laid there on his back for a long while and he listened to the silence. He listened to the nothingness and it pleased him. He laid there on his back, exhausted, bloody, and finally accepting of the emptiness that surrounded him.


.
.
.

Exercise and Commentary 4.


Exercise and Commentary 4.

SEE! That was a whole story!
We had a beginning, a middle, an end, some characters, some conflict, some tone, some atmosphere, some depth! Maybe even a moral, or something!

Not too shabby. But it was kind of disgusting and a bit melodramatic, right? A bit over the top? Again with the horror-story grotesque being used as a crutch.

Maybe we should try something else. A different direction maybe. Here’s what we started with:

Sam was out of food.
He went to the store and bought some.
At home, he ate it.

So what else can we do with that?
Oh! Wait! I have an idea. Let’s do this …

.
.
.

Fisheyed.

Fisheyed
by james bezerra


Sam was out of food.

“I’m out of food,” he said, a little bit surprised even though this happened frequently. It happened so frequently because Sam so frequently forgot to buy food. He also seldom remembered to sleep. It wasn’t because he was disinclined to sleep, he simply forgot to do it very much because he was usually concerned with other things. Like clouds (which he enjoyed greatly) or thinking about how much he liked clouds (thinking about how much he liked clouds was also something that Sam greatly enjoyed). He also found trees fascinating. Equally, grass and the smell of it, but also its color.
See, Sam was intrigued by the world and he found the world so intriguing that he was often too busy being intrigued by it to remember to do things like buy food. Or sleep.

It had never occurred to Sam that the combination of lack of food and lack of sleep might be leaving him in a delirious state, which might be what made everything around him quite so fascinating. Sam was not given to thoughts like these. But he stood there looking at the empty cabinet where food should be and he was certain that food was supposed to go there and so he repeated, “I’m out of food.”

Determined to resolve this problem, Sam went to his phone and began pressing numbers at random. Whenever there was answer he said, “Hi, this is Sam and I am out of food.”

“What the fuck are you talking about?” A man’s gruff voice said at one point. “Who is this?”

“I’m Sam,” Sam said.

“I don’t know anyone called Sam.”

Sam nodded, understanding that not everyone knew him.

“Well Sam,” the voice said, “why don’t you go buy some fucking food.”

“Okay,” Sam said, “thanks.” He hung up and put on pants and went out into the world.

Sam loved the world.

He sat at the bus stop and watched the cars shoot by. Some of them were bright red like lobsters and some were white like ghosts and others were green like plants and they were all in such a hurry. Sam squeezed his eyes shut for a moment and when he opened them the road spread out before him like the giant back oval of a race track. And just in from of him, lines up with legs bent and hands clutching batons, there was a lobster, a ghost in short track shorts, and a potted plant. Their bodies were tight with the anticipation of the coming shot. Sam looked at the giant phone that stood beyond the racers. It held a stopwatch in one hand and a starting pistol in the other.

“Okay,” the phone yelled, “On your mark! Set!” The phone squeezed the trigger, the pistol popped, the race was one! The lobster - on account of its having legs - took an immediate and  commanding lead.

The ghost was initially impeded by a heavy gust of wind, but as that subsided, it began to make up for lost time.

The potted plant hadn’t moved, given as that it was a plant confined to a pot and therefore not ambulatory. Sam looked down at the plant, “Why did you even join the race if you aren’t going to try?” Sam asked this question not out of annoyance, but out of genuine curiosity.

“I just wanted to feel the wind rushing through my leaves and stems,” the plant said, quite crestfallen.

Sam sighed; he was always unhappy to see a dream so dismally deferred. He bent down, took the relay baton from the plant and scooped up the pot. “Here we go!” he yelled and took off running.

The others had a massive lead. The lobster and ghost had already switched off 400 meters down the track to their lobster and ghost teammates. But Sam was fast and made up much ground. At the 400 meter mark he reached down and picked up the next popped plant on the team. It was awkward running with a relay baton and two potted plants, but he managed.

A slight breeze came across the track and blew the ghost sideways. Sam was able to advance. The second lobster handed off to the third, who took off scittering quick fast for a crustacean. Sam scooped up the third potted plant. The ghosts had managed to rally, but were still far behind. Sam was closing the distance on the lobster.

The third lobster handed off to the anchor runner lobster only moments before Sam scooted up the last plant. It was difficult for him to run now, cradling four potted plants of varying sizes as well as a relay baton, but he was able to manage. He managed to overtake the final lobster less than a hundred meters from the finish line, busting through the tape just moments ahead.

The plants were overjoyed. They hooray-ed and hurrah-ed at Sam. He tried to shrug off their compliments and said, “I have to go, my bus is here.”

At the grocery store Sam realized that he didn’t know what he was looking for because the man on the phone really hadn’t been very specific. So Sam did what he usually did and ambled to the area where they set out all of the fruits and vegetables for him to touch. He spent quite a while there. Hefting the watermelons over his head. Juggling the apples (he was a rather talented ameatur juggler). Arranging the avocados from left to right based on their squishiness. Shaking all of the coconuts.

Eventually he moved on to the back of the store where all of the fish were plastic wrapped into their styrofoam containers. He moved to each of them, poking each one in the eyes and always finding himself joyously disgusted at how hard the eyes were.

“Hey,” the white haired man behind the fish counter said, “are you just here to poke the fish in their eyes?”

Sam shrugged, “Pretty much, yeah.”

The man made a face at Sam. It was a strange face. A face that seemed to say to Sam, ‘I am looking at you and contemplating something.’

“Okay,” the White Haired Man said, “come here.”

Sam was allowed back behind the counter and then past the silver tables where other white haired people were gutting fish, and finally to a large metal freezer door. “Here,” the White Haired Man said, handing Sam a heavy parka. Sam put it on because he didn’t want to be impolite. Then the White Haired Man pulled open the heavy freezer door and they both went inside.

Spread out before them was a wide white hilly landscape of ice and snow. The sky above them was a dark and cold blue and the flakes of white snow fell from every inch of that sky.

Without a word Sam followed to White Haired Man to a dog sled. Sam sat down in it and the WHM took his place at the back. He called out to the dogs in a language Sam didn’t speak, but the dogs all rose up in unison and began to run, pulling the sled after them.

Up and over the white hills they went. Sam snuggling deep into the parka to stay warm. They slid along the edge of a huge blue frozen sea on which penguins teeter totter away in the distance. Then the dogs curved inland and between two great snowy mountains. The dogs pulled them down the center of a deep gorge and then finally slowed as they approached a wide open clearing of fresh white snow. Sam realized it was a frozen lake.

“Go on,” the WHM said, motioning to the circle cut into the very center of the lake.

Sam climbed out of the sled and walked carefully across the ice. It was slick and so he moved slowly. When he reached the edge of the circle he peered down into the cold water below. There was … is that … what … yes … there was a shape down there. Huge and distinctly fish shaped. Sam watched as it got bigger and then bigger. He realized that the shape was approaching from the depths. Sam stepped back momentarily fearful.

Then it broke the surface of the water; a giant fish head bigger than Sam himself. It poked up through the hole in the ice. It was the biggest fish that Sam had ever seen! It formed its mouth into giant O shapes up at the sky. It swiveled so that it could look at Sam with one of its giant eyes.

“Go ahead!” Called the WHM from the shore.

Sam reached out a finger and poked the thing right in the center of its huge fish eye.

“OOUCH!” the giant fish called out, “What the fuck are you doing?”

Sam recoiled. “Oh. I’m really sorry. I didn’t mean to …”

“Didn’t mean to? You poked me right square in the eye! It really hurt.”

“I’m very sorry …” Sam stammered.

“I just don’t understand why someone would do that,” the fish said.

“I really am sorry.”

“Forget it, forget it. Just maybe don’t go around poking everybody in the bloody eyes all the time, okay?”

“Okay,” Sam said.

On the sled ride back the WHM called to Sam over the sound of the dogs and the rush of the wind, “I hope you have learned your lesson.”

Back out under the bright lights of the grocery store Sam bumped into a skinny little woman who had wispy blonde hair with a little bit of blue dyed into it. She asked him, “Which of these boxes of crackers looks happier to you?”

“Oh definitely that one,” Sam said.

“That’s what I was thinking,” she agreed.

Sam looked her up and down. He liked the shapes of her and the way that her eyes were big and blue like the sky and how he had not even any desire to poke her in them. He sniffed at her and she smelled wonderfully of lilacs, which made him think of meadows, which made him think of being outside, which made him think of laying in the park and looking up at the clouds and that made him think of her again. And so he looked at her and said, “Would you like to go lay in the park with me and look at the clouds.

She seemed started at first, then said, “That is exactly what I was going to do after this!”

Her name was Elsie and they laid in the park and ate the crackers while they looked up at the clouds.

“That one looks like one of the lobsters I beat in a race today,” Sam said.

“Lobsters are always terrible racers,” Elsie said.

As they laid there in the park, on the green grass, under blue sky, Sam fell asleep with his head nestled against Elsie’s.

.
.
.

Exercise and Commentary 5.


Exercise and Commentary 5.


SEE! More or less the same idea, but completely different! This is why writing is so much fun.
I am starting to feel a little better about writing now. It is actually fun when you sit down and make yourself do it!


Maybe that is what I have been forgetting. Maybe I have been forgetting that it is supposed to be fun. And that doing it for the sake of doing it is the point on its own. That I shouldn’t be so worried about things like “being any good” or writing things that “make some goddamn sense”.


This has been a good day that we have spent here together today and I have enjoyed doing this writing, as bad as it may be. It is good to sit here and smash some words together.


If you have read all of this stuff today, then I applaud you and thank you for your patience.

Maybe now I can start getting down to some real writing soon.

.
.
.

City of Thieves.




Last night I finished reading “City of Thieves” by David Benioff. I know I’m coming late to the party because everybody else fell in love with this book like two years ago, but - you know - I’ve been busy …

It takes place during the Nazi siege of Leningrad during World War II. I happened to watch a documentary about that siege recently and found it was strange and interesting and just then I snapped my fingers and sat up straight and said to myself, “Hey, I should read that one book that everybody fell in love with like two years ago!” So I did.

It really is quite good. Probably one of the best novels I have read in a long time (and not just because I haven’t been reading a long of novels lately)!

I’m not giving anything away by telling you that it is about two young Russian men who are thrown together by chance and given the opportunity to save themselves from execution by finding a dozen eggs for the wedding cake of the daughter of a powerful NKVD colonel.
The ridiculousness of that fool’s errand (remember that Leningrad was under blockade for nearly three years and most of its residents starved to death) plays out against the incredibly bleak and otherworldly setting in a fascinating way. If this were an English class we’d talk about the “binary opposition” here. The whole novel functions like that and the author is incredibly skilled at moving between the abject horrors of that city, that time, that war, and the humanity of the characters; their humor, their hopes, their own lives.

Some of the moments are so ghastly that I feel strange describing the book as funny, although it certainly is funny. It just also happens to be occasionally soul-wrecking.

Better men than me have written better reviews than this, but I’m not trying to critique the thing. I just want to put it on your radar: IT IS A VERY GOOD BOOK AND YOU SHOULD READ IT!

I have one or two complaints about it, mostly just that it is a precision cut piece of writing. It is a little TOO clean and a little TOO perfect. (If you’ve seen the movie “(500) Days of Summer” then you know what I mean; a perfectly told story …  a little too perfectly told.) But that is a very small complaint and one that I would be happy to get as a writer (though no one will EVER say such a thing about me, because I ramble on with nary a single verbal filter, just coma after coma after coma, which - in my head at least - means that I am giving the reader a moment to take a breath while reading because I understand how exhausting some of my sentences can be to read).

To say much more about how and why “City of Thieves” is so good would give too much away, however I do want to mention that in addition to being very good, it does take the time to slow down and give us several small and moving moments that don’t advance the plot, they don’t fill in the characters, they don’t do much of anything but simply haunt the reader. There is a night when the two men pause in the street because they hear someone playing a piano in one of the empty, blacked-out buildings. They just stand there and listen to the ghostly sounds as snow falls around them and German shells echo in the distance. And then when the mysterious piano player finishes, our two heroes keep on walking. That’s all. There are several little moments like that which I appreciated greatly. I think the difference between a writer who is technically good and a writer who is transcendently good is often the patience to present us with the strange absurdities which fill up our lives but not always our literature.

.
.
.

Elsewhere.


This is a lovely little bit from a poetry collection I have been reading, the collection is “This Clumsy Living” by Bob Hicok and the poems is Elsewhere.



When we were Pangea maps were smaller and vacations
easier. Where do you want to go? I don’t know …
Pangea?

.
.
.

Food for Thought ...



South Korea has started testing electrified roads for its public buses.

Do I really need to remind people about the last time we tried building electrified roads for mass transit?



.
.
.